Washtub
Jerry: It Takes Pluck!
Book review by
Elisabeth
Steves Ellison
Bassist & Drummer for over three decades
Publised Author in a varity of music-industry periodicals
You don't have to be an Apollo
project engineer to be a bassist
but it helps.
Part musician's autobiography,
and part engineering and construction
manual
for the washtub bass, Washtub
Jerry: It takes Pluck! means every word
in its
title. Washtub Jerry,
award-winning washtub bassist, tells an engaging
story,
presenting the technical
information clearly and his anecdotes with an
infectious affection for his
associates. Ample illustrations by friend
Bill Leftwich
clarify the construction
aspects of the washtub bass, and are both
entertaining
and expressive. Jerry
built and practiced the washtub bass for
eighteen years
before ever encountering a
fellow practitioner. It seems that isolation
equaled
limitless possibilities for
Jerry, as he methodically designed and
tested each
component of the bass and
taught himself how to play the instrument and
analyze chords, freeing his ear
from the constraints of chart reading.
His
journey to acceptance as a
bassist instills a new appreciation for the
secure
place the double bass holds as
a member of the string family and its
400 year
old history. Though many of us
have encountered skepticism and a litany
of
misnomers from an utterly
Philistine public, the dearth of good sense
typically
extends as far as confusing a
bass with a guitar/cello/set of golf
clubs, not, as
Jerry records, mistaking an
instrument as a receptacle for banquet
dishes. Yet
he emerges with good humor
intact and in no instance is his 'pluck'
succeeded
by an emphatic 'you, pal!'
The four decades Jerry has been a bassist is about the length of time
it
has been since I last wrote a book review, so I looked up a refresher
article,
which reminds me to note how this book compares to others on the topic.
Google that: I get all I need to know from looking at the washtub bass
pictures
on the covers. Jerry's is a superior piece of engineering and artistry.
What can
you expect from a guy who plays bass, electric, piano, ukulele, sings,
builds his
own instrument, tunes pianos, fixes accordions, repairs his own car,
drives 450
miles one way to gigs, wins awards, publishes an eloquent, charming
book about
it all, and -- oh, yeah -- builds a thing that bounces lasers off the
moon. I feel like
a bass slob for taking the easy road of a pre-made instrument with the
luxury of
a fingerboard. The introduction by Ranger Doug of Riders in the Sky
reminds us
to be clear with pronunciation and not call him "Washed Up Jerry." Not
a chance
of that! Jerry, just one thing -- leave something for the rest of us to
do, will ya?